Mirela's works on paper - be they cut, collaged, drawn, embossed, laid out in a two-dimensional structure or unfolded in sculptural relief - seem to evoke the reconciliation between chaos and order in their ornament and structure. The analogies between the smallest and the largest, between the geometrically organized cell structure of the microorganisms and the cosmic harmonies of the suns and planets, permeate thematically and musically their ...